My visual concerns run the gamut from careful study to poetic, symbolic and sometimes political representations of nature.
You are all invited to my exhibition ‘Second Nature: New Paintings at the Grace Chosy Gallery, November 2-24, 2012. The Grace Chosy Gallery is at 1825 Monroe Street, (Across from Trader Joe’s) in Madison, WI.
I enjoy immersing myself in the careful looking that painting from life allows. Making art is one of the few activities we have were we are allowed to slow down, to a stop, and take a second look; to examine nature for the hours it may take to know it by looking. I often layer metaphoric meaning into the images I creates. This has been especially true of those paintings inspired by concerns for, or appreciation of, the natural world.
My paintings consider our place in the landscape and our relationship, as humans, to nature, including the species that are dependent on cold for their survival.
Some of my new paintings explore the complex realities of the changing climate while considering of the metaphors we use to describe our relationships with each other and Nature. They shift away from the very gendered metaphor of the unselfish, all-giving Mother Nature to a less human-centered Second Nature. This Second Nature responds to the pressure it is under without regard for humanity, much as we humans often ignore the effect of our actions on the world.
Increasingly I finds myself creating environments that contain both the decay of destruction and the beauty of new growth. My Elements Series emphasizes power and destruction that occur when earth, fire, water, and air are out of balance, becoming drought, forests burning, drenching precipitation, and dangerous storms. The fifth element, spirit, calls us to restore the balance.
My birds and bees are lovingly painted and celebrated for their beauty, but my paintings also evoke narratives reminiscent of the use of the canary in the mind shaft. My paintings ask “Where are the bees?” because as go the bees…
How is it we are drawn to representations of nature but have moved so far from seeing ourselves as a part of nature; of knowing where our food, air, and water comes from; and from being responsible stewards for the earth? We seem to have become increasingly divorced from direct contact with the natural environment unless it intruded upon our lives in the form of extreme weather and its consequences, but nature is starting to get our attention. My basic premise is that: We are nature. What we do to the world we do to ourselves and we do to ourselves we do to the world.
This particular body of work also demonstrates my exploration of new media as I expands on my traditional use of watercolor on paper to explore the flexibility of painting with watercolor on canvas.
I must thank my sister artist Nikki Kinne for convincing me to try a watercolor canvas on our plen air painting trip last November (what a difference a year makes). Nikki handed me a canvas and said “Paint” and I did. I haven’t stopped.
14 comments
I love the new work and I have been curious about watercolors on canvas for sometime. I think it is worth the exploration. It gives watercolors a new depth of understanding the fluid effect of this medium. I am drawn to your work titled ‘Water Element: Drenching Precipitation’ beautifully done I only wish I could see it in person. Someday maybe.
Thank you for the kind words Laurie.
I was reluctant to use canvas because i had spent years painting with oils and acrylics on canvas prior to falling in love with watercolor on paper (which I still love). However, once I was convinced to try it out I found it to be very fun. I’m still exploring all its potential. Even at this late date I find my horizons continue to expand!
I love this body of work!
Oh my God! Helen these are beyond amazing! Thank God for the zoom tool. I want to see them in person. I wish I could rush off to Madison Wisconsin and see the show. Next Saturday in my watercolor class I plan to show this blog posting. Your poetic words that support and enhance your breathtaking paintings is modeling for me that in today’s society there is need for ‘mixed media’ to include written word as part of the art.
I am so humbled to be in association with you.
Nikki, I’m so pleased you like the new work! Its all your fault for convincing me to play with the watercolor canvas last year when we were plein air painting. I’ll try to bring some smaller watercolors on canvases to my exhibition in Fairbanks in March. Perhaps I should include working on canvas in the workshop we are planning. Lets talk about it. Thank you for all the inspiration YOU bring to our shared endeavors and for appreciating that writing can be part of the creative endeavor too.
Thanks for sharing, Helen. As always your work continues to excite and inspire me. Love to see the new avenues of expanding talent. Wish I could see this “live”, but am grateful that you are sharing for those of us too far away.
Have a great opening.
KiP
Thanks for staying in touch KIP! I’m sending warmth and love from afar.
Helen, the are so powerful and mivingI will be in Madison next Sat. and will be anxious to see them for real at the G.C gallery. Thank you, thank you.
Terrific! Thanks Shirley
Thank you all for the support. I truly appreciate it.
Helen
Helen, you’ve presented a breathtaking body of new work. The idea of using transparent watercolor on stretched canvas is very intriguing. I’m very hopeful that Sue and I will be able to attend the opening. This work is very beautiful.
Jan
Helen I would love for you to send some work on canvas for your show in March. As to using canvas during your workshop, sure! Why not! I’m having my students try canvas this coming Saturday. I might be a little more easy in how I suggest they try it though. Smile!
Fabulous! Plan on it!!!
Where can I purchase the bee watercolor paintings they are beautiful?
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